Education<\/p>\n<\/h2>\n\n\n\n\n

<\/td>\n	<\/td>\n	\n M.F.A. Sculpture, Academy of Arts and Humanities, Institute of Experimental Printmaking, Monterey, CA<\/p>\n<\/td>\n<\/tr>\n
<\/td>\n	<\/td>\n	\n B.A. Printmaking, San Francisco State University, CA<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n INVITATIONAL AND SOLO EXHIBITIONS<\/p>\n<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 2021<\/td>\n \n Shanghai International Paper Art Biennale, <\/i>Shanghai Fengxian Museum, Shanghai, China<\/p>\n<\/td>\n<\/tr>\n 2019<\/td>\n \n Pulparazzi,<\/i><\/span>\u00a0Jamestown Art Center, Jamestown, RI<\/p>\n<\/td>\n<\/tr>\n 2016<\/td>\n \n Full Circle<\/i>, The Southwest School of Art, San Antonio, TX<\/p>\n<\/td>\n<\/tr>\n 2014<\/td>\n \n Cyphers and Symbols<\/i>, solo show, Michaelangelo Gallery, Santa Cruz, CA<\/p>\n Poets Symbols and Songs<\/i>, solo show, Santa Cruz Museum of Art and History, Santa Cruz, CA<\/p>\n<\/td>\n<\/tr>\n 2013<\/td>\n \n Art in Embassies<\/i>, U.S. Department of State, US Embassy Tablisi Georgia<\/p>\n<\/td>\n<\/tr>\n 2012<\/td>\n \n Without Boundaries, Transformation in American Craft<\/i>, The Craft Alliance, St. Louis, MO<\/p>\n<\/td>\n<\/tr>\n 2010<\/td>\n \n It’s in the Pulp: The Art of Papermaking in Santa Cruz<\/i>, Museum of Art and History, Santa Cruz, CA<\/p>\n<\/td>\n<\/tr>\n 2008<\/td>\n \n The Art of Paper,\u00a0<\/i>solo show, Michaelangelo Gallery, Santa Cruz, CA<\/p>\n<\/td>\n<\/tr>\n 2002<\/td>\n \n Contemporary American Paper Artists,\u00a0<\/i>Columbia College, Chicago, IL<\/p>\n<\/td>\n<\/tr>\n 2002<\/td>\n \n Like a Painting\/Like a Book, Innovative Paper<\/i>, Southwest School of Art and Craft, San Antonio, TX<\/p>\n<\/td>\n<\/tr>\n 1999<\/td>\n \n Distinguished Artist Series<\/i>, two person show, Santa Cruz Art League Gallery, Santa Cruz, CA<\/p>\n<\/td>\n<\/tr>\n 1996<\/td>\n \n Distinguished Artist Series<\/i>, two person show, Santa Cruz Art League Gallery, Santa Cruz, CA<\/p>\n<\/td>\n<\/tr>\n 1982-84<\/td>\n \n Making Paper and Papermaking USA<\/i>, American Craft Museum, New York, NY<\/p>\n<\/td>\n<\/tr>\n 1976<\/td>\n \n Prints and Unique Works on Handmade Paper,<\/i>\u00a0Museum of Modern Art, New York, NY<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n GROUP EXHIBITIONS<\/p>\n<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n 2023<\/td>\n \n The Color of Water, <\/i>Sebastopol Center for the Arts, Sebastopol, CA<\/p>\n The State of the World, <\/i>Gmuender Kunstverein Gallery Schw\u00e4bisch Gm\u00fcnd, Germany<\/p>\n The Singular Image,<\/i> Bluseed Gallery, Saranac Lake, NY<\/p>\n<\/td>\n<\/tr>\n 2022<\/td>\n \n LAPS 22nd National Print Exhibition,<\/i> Mixografia Gallery, Los Angeles, CA<\/p>\n PULP: Book and Paper Arts,<\/i> Sebastopol Center for the Arts, Sebastopol, CA<\/p>\n This is Now,<\/i> Radius Gallery Santa Cruz, CA<\/p>\n 108th Annual Exhibition California Society of Printmakers <\/i>Piedmont Art Center, Piedmont, CA<\/p>\n<\/td>\n<\/tr>\n 2021<\/td>\n \n Covid Times,<\/i> Museum of Art and History, Santa Cruz, CA<\/p>\n<\/td>\n<\/tr>\n 2020<\/td>\n \n Materiality, <\/em>North American Papermakers Virtual<\/p>\n<\/td>\n<\/tr>\n 2019<\/td>\n \n Abstract Santa Cruz<\/i>,<\/span>\u00a0R. <\/em>Blitzer Gallery, Santa Cruz, CA<\/p>\n<\/td>\n<\/tr>\n 2015<\/td>\n \n Craft Forms 2015<\/i>, 24th Annual Exhibition of Contemporary Craft, Wayne Art Center, Wayne, PA<\/p>\n 36th Annual Contemporary Crafts<\/i>, Mesa Contemporary Art Museum, Mesa AZ<\/p>\n<\/td>\n<\/tr>\n 2014<\/td>\n \n Bridging Santa Cruz, Spanning 50 Years of Printmaking,<\/i>, Cabrillo College Gallery, Aptos, CA<\/p>\n<\/td>\n<\/tr>\n 2013<\/td>\n \n 4th Annual Contemporary Crafts<\/i>, Mesa Contemporary Art Museum, Mesa, AZ<\/p>\n<\/td>\n<\/tr>\n 2012<\/td>\n \n Watermarks<\/i>,The Morgan Conservatory, Cleveland, OH<\/p>\n Yuma Art Symposium<\/i>, The Yuma Art Center, Yuma, AZ<\/p>\n<\/td>\n<\/tr>\n 2011<\/td>\n \n Faszination Papier \/ The Allure of Paper,<\/i>\u00a0Kunstverein Burghausen\u00a0<\/i>Gernany, Paper Museum, Duszinki, Poland<\/p>\n Leaf and Bound, International Book and Paper Art Exhibition<\/i>,\u00a0 Eureka, IL<\/p>\n<\/td>\n<\/tr>\n 2009<\/td>\n \n Paper Global<\/i>,\u00a0 Museen der Stadt Deggendorf, Deggendorf, Germany<\/p>\n SHU MOK JI (Water Wood Paper)<\/i>, Jongienara Paper Art Museum, Seoul, Korea<\/p>\n Assemblage\u00a0 + Collage\u00a0 + Construction,<\/i>\u00a0 The Museum of Art and History, Santa Cruz, CA<\/p>\n<\/td>\n<\/tr>\n 2002<\/td>\n \n Contemporary American Paper Artists,\u00a0<\/i>Columbia College, Chicago, IL<\/p>\n<\/td>\n<\/tr>\n 2002<\/td>\n \n Art On & Of\u00a0 Handmade Paper,\u00a0<\/i>Oregon College of Art and Craft, Portland, OR<\/p>\n<\/td>\n<\/tr>\n 1986<\/td>\n \n International Biennale der Papier Kunst,,<\/i>Leopold-Hoesch Museum, Dueren, Germany<\/p>\n<\/td>\n<\/tr>\n 1976<\/td>\n \n Graphics from the Institute of Experimental Printmaking, <\/i>Martha Jackson Gallery, New York, NY<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n Publications<\/p>\n<\/h2>\n \n Books<\/strong><\/p>\n<\/h3>\n\n\n\n Books<\/td>\n \n Paper – Making, Decorating, Designing,<\/i>\u00a0Beata Thackeray, Conran Octopus, London, 1997<\/p>\n Sculpture in Paper,\u00a0<\/i>Nicholas Roukes, Davis Publications, Inc. 1993<\/p>\n Papir Mageri 2,\u00a0<\/i>\u00ad-kunst og teknik,\u00a0<\/i>Anne Vilsboll, Borgen, Denmark<\/p>\n Contemporary American Craft Art, A Collector’s Guide,\u00a0<\/i>Barbara Mayer, Peregrine Smith, 1990<\/p>\n Paper-Art and Technology,\u00a0<\/i>Paulette Long, The Work Print Council, San Francisco, 1979<\/p>\n \u00a0<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n Magazines and Catalogs<\/strong><\/p>\n<\/h3>\n\n\n\n Articles<\/td>\n \n<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Changing Gears, <\/i>The California\u00a0 Printmaker The 2023 Journal of the California Society of Printmakers<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 LAPS 22nd<\/sup> National Print Exhibition, catalog <\/i>Mixografia, Gallery, Los Angeles,CA,2022<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 Shanghai International Paper Art Biennale, <\/i>Shanghai Fengxian Museum Shanghai,China 2021<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 36th<\/sup> Annual Contemporary Crafts,<\/i> catalog, Mesa Contemporary Art Museum, Mesa AZ, 2015<\/p>\n \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art in the Embassies Exhibition, <\/i>United States Embassy, Tbilisi, Georgia 2013<\/p>\n Studio Magazine, \u201c<\/i>Making Art with Paper\u201d, John Babcock\u2019s studio, Spring issue 2012<\/p>\n Faszination Papier-The Allure of Paper<\/i>, catalog traveling exhibition, Helene Tschacher, April, 2011<\/p>\n Papir Mageri 2,\u00a0<\/i>\u00ad-kunst og teknik,\u00a0<\/i>Anne Vilsboll, Borgen, Denmark<\/p>\n IAPMA Bulletin #47Edge,<\/i>The 2010 Pulp Painting Symposium in San Antonio, Lynn Sures, May, 2010<\/p>\n Paper Global<\/i>, Deggandorf\u00a0 Stadtmuseum, Brigitta Petschek-Sommer, May 2009<\/p>\n 85th Anniverary Catalog of Prints<\/i>, California Society of Printmakers,1999<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n \n Visiting Artist\/Instructor\/Lecturer<\/p>\n<\/h2>\n\n\n\n\n\n\n\n\n\n\n 2021<\/td>\n \n International Association of Hand Papermakers Annual Meeting, Working with Paper Pulp in Time of Change, online group presentation, October 2021<\/i><\/p>\n<\/td>\n<\/tr>\n 2020<\/td>\n \n Pajaro Valley Art Center, Art Salon online presentation<\/p>\n<\/td>\n<\/tr>\n 2015<\/td>\n \n University of California, Santa Barbara, visiting artist, lecture \u201cThe Art of Paper.\u201d<\/p>\n<\/td>\n<\/tr>\n 2014<\/td>\n \n Artist of the Year, Award Presentation, \u201dPaper Art,”County Arts Commission, Santa Cruz, CA\u00a0<\/p>\n<\/td>\n<\/tr>\n 2012<\/td>\n \n Yuma Art Symposium 33, presenter:\u00a0An Artist Makes Paper, Yuma, AZ<\/i><\/p>\n<\/td>\n<\/tr>\n 2008<\/td>\n \n Cabrillo College, Cabrillo Arts, Making Paper, An Artists Exploration<\/i>, Aptos, CA<\/p>\n<\/td>\n<\/tr>\n 1997<\/td>\n \n Lake Tahoe Art Center, Summer Workshop, Tahoe City, CA<\/p>\n<\/td>\n<\/tr>\n 1996<\/td>\n \n Haystack Mountain School of Crafts, Deer Isle, ME<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n Selected Collections<\/h2>\n \n Museum of Arts and Design, New York, NY Kalamazoo Institute of Art, Kalamazoo, MI Detroit Institute of Art, Detroit, MI International Paper Company, New York, NY Chubb Insurance Company, Warren, NJ Hewlett Packard, Palo Alto, CA Southwest School of Art Craft, San Antonio, TX University of Wisconsin, Stevens Point, WI Brand Art Center, Glendale, CA Santa Barbara City College, Santa Barbara, CA University of Hawaii, Honolulu, HI Florida Center for the Arts, University of South Florida, Tampa, FL Monterey Conference Center, Monterey, CA Center for the Book Arts, New York, NY Cargill, Incorporated, Minneapolis, MN Apple Computer, Cupertino, CA Hughes Aircraft Company, Santa Barbara, CA Roche, San Francisco, CA New Jersey Life Insurance, Paramus, NJ Highlands Inn, Carmel Highlands, CA Pebble Beach Lodge, Pebble Beach, CA Gulf Oil Corporation, Houston, TX Petitt and Martin, San Jose, CA Xerox Corporation, Washington, DC University of California Medical Center, San Francisco, CA Air Temp, Washington, DC Quantum Computer, Milpitas, CAf Sheraton Hotel, Long Beach, CA Hyatt Corporation, Chicago, IL Pacific Western Bank, Monterey, CA<\/p>\n<\/div>\n \n<\/p>\n","protected":false},"excerpt":{"rendered":" Resume Highlights Complete resume here. Education M.F.A. Sculpture, Academy of Arts and Humanities, Institute of Experimental Printmaking, Monterey, CA B.A. Printmaking, San Francisco State University, CA INVITATIONAL AND SOLO EXHIBITIONS 2021 Shanghai International Paper Art Biennale, Shanghai Fengxian Museum, Shanghai, China 2019 Pulparazzi,\u00a0Jamestown Art Center, Jamestown, RI 2016 Full Circle, The Southwest School of Art, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-33","page","type-page","status-publish","hentry"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.babcockart.com\/wp-json\/wp\/v2\/pages\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.babcockart.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.babcockart.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.babcockart.com\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.babcockart.com\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":5,"href":"https:\/\/www.babcockart.com\/wp-json\/wp\/v2\/pages\/33\/revisions"}],"predecessor-version":[{"id":2084,"href":"https:\/\/www.babcockart.com\/wp-json\/wp\/v2\/pages\/33\/revisions\/2084"}],"wp:attachment":[{"href":"https:\/\/www.babcockart.com\/wp-json\/wp\/v2\/media?parent=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}